The Aesthetics of the Actor's Performance as a Technical System in Iraqi Theatrical Performance

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Elaf Ahmed Ibrahim, Basim Mohammad Ahmed

Abstract

The research includes four chapters: The first chapter includes the methodological framework of the research, which the researcher defined with the following question: (Discovering the aesthetics of the actor’s performance in the Iraqi theatrical performance)? Followed by the importance of the research and the need for it, and includes topics related to the aesthetics of the actor's performance in the Iraqi theatrical performance. As for the need for it, it benefits students of colleges and institutes of fine arts and those interested in the field of theatrical performance. As for the aim of the research, it is to identify the aesthetics of acting performance in Iraqi theatrical performances. As for the temporal limits of the research (2024), as for the spatial limits, Iraq and the subject matter, it is to study the aesthetics of acting performance in Iraqi theatrical performances, followed by defining the terms. As for the second chapter, the theoretical framework, it includes the first topic, the concept of aesthetics of performance, and the second topic, the actor's performance, the factors that help the actor's professionalism, the actor's mission and characteristics, followed by the indicators of the theoretical framework. As for the third chapter, it includes the research community and the research sample that the researcher chose randomly. The fourth chapter included the results of the research, including


1-The performance of the actor in the theatrical show relied on the internal references to the show, including the vision of the author and the director in presenting the character and the theme.


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