Research on the Mechanism of Low-Carbon Art Presentation and Construction in Chinese Kung Fu Films

Abstract

With the continuous improvement of environmental protection awareness, the concept of low-carbon art is gradually integrated into the creation of films. As an important carrier of Chinese culture, Chinese kung fu films are widely loved by global audiences for their unique martial arts skills, profound cultural connotations and philosophical thoughts. This paper aims to explore the specific presentation and construction mechanism of low-carbon art in Chinese kung fu films. Through literature research, case analysis and multidisciplinary synthesis, this paper analyzes the embodiment of low-carbon art in classic kung fu films (such as IP Man, Crouching Tiger, Hidden Dragon, Jingwu Hero), focusing on the role shaping, action design, scene and props use, and low-carbon application of sound and vibration. The research shows that low-carbon art not only saves resources, but also enhances the cultural depth and artistic expression of the films through simple and authentic creation strategies. The article further discusses the application of ecological aesthetics, media ecology, semiotics and sensory culture theory in low-carbon art, and reveals its unique value in the creation of kung fu films. In the future, kung fu film makers should continue to combine low-carbon art with audience interaction to promote the sustainable development of the film industry.